交互的未来（第五季）青年艺术家邀请展Future of interaction(Season 5)Young artists invitational exhibition主办单位Presenting Institution
  深圳市罗湖区文化广电旅游体育局罗湖深港现代商贸业升级发展区指挥部Shenzhen Luohu District Bureau of Culture.Radio,Television,Tourism and sportsCommand Headquarters of Luohu Shenzhen-Hong Kong Modern Commercial and Trade Industry Upgrade and Development Zone承办单位Executive Organizer深圳市罗湖美术馆
  三一八艺术文化Shenzhen Luohu Art Museum318Art&Culture协办单位Supporting Organization深圳市青年美术家协会
  Shenzhen Young Artists Association展览时间Exhibition Dates2025年7月18日-8月6日July 17th-August 6th,2025展览地点Exhibition Hall深圳市罗湖美术馆(罗湖区南极路6号)
  Shenzhen Luohu Art Museum5 Nanii Road,Luohu District,Shenzhe学术主持Artostic Advisor陈俊宇
  Chen Junyu策展人Curator惠书文
  Hui Shuwen总统筹General Coordinator于延丰刘振文
  Yu Yan Feng、Liu Zhenwen展览统筹Exhibition Coordinator柳梦洁高楠楠liumengjie Gao Nannan展览委员Exhibition committee杨竹君梁文凯张嘉宁
  Yang Zhujun Liang Wenkai Zhang Jianing
  参展艺术家名单List of participating artists
  李木子、唐明伟、张钊瀛、柯明、罗威、潘小荣、朱可染、何启如、普鹏、劳家辉、肖颖、何沙沙、高贯一、王俊远、刘冠辰、楷茳、曾朴、朱丹、李强强、王青、卜萱、蔡娟、陈承卫、陈清勇、储楚、翟轩弘、杜海军、方凯、高树杰、龚雷、龚新如、古静、归荣彪、郭思汐、何镒、胡婧璇、黄琳珺、黄赛峰、黄向前、黄亚雅、黄祎勤、李健豪、林江泉、刘和焦、刘杰、刘利斌、刘慕仪、刘亭君、刘小沨、马健卫、毛嘉、梅雨璐、彭捷、任宏伟、任启星、宋孟依、孙宁、谭大利、庹梦倩、王浩、王小双、王志新、吴德生、吴江涛、徐泽、徐长远、许伟波、姚虹宾、于童、战兴隆、张宁、张彤、赵兵、赵淋、赵煜亚、周杰、周若成、朱泓彦、祝青
  文/惠书文
  当代码成为血液中流淌的电解质，当屏幕成为知觉延伸的神经突触当算法以无形之手编织我们的情感图谱与社交经纬——交互早已挣脱技术的桎梏，演变为人类存在的基本生态。我们“在使用”交互技术的同时，也是“栖居”于交互编织的未来场域。《交互的未来》行至第五季，我们不再满足于技术对艺术语言的单向塑造，而是聚精会神地聆听艺术如何以创造的强音，回应、解构、重塑个体在自我生命中的价值体验。来自全国的青年艺术家群体，作为数字文明的原生代，正以其敏锐的神经末梢与独特的语法体系，成为这个时代中最具先锋性的勘探者与实践者。本次展览如同一座多维共振的实验室，汇聚架上绘画的深邃沉思、雕塑的物质重量、装置的沉浸场域与新媒体艺术的虚拟灵光。这些年轻创作者拒绝沦为技术景观的被动记录者，他们以“逆向解码”的自觉姿态将思想主动介入技术的内核。在架上绘画领域，艺术家们以颜料为数据载体进行着诗意化的表达。有的作品以层层叠压的油彩肌理模拟信息加载的多元视角，并在画面中保留一片具有韵律节奏的笔触飞地；亦有创作者将社交媒体的碎片化图像转化为细腻的拼贴物，从而凝固数字记忆的易逝性。这不仅说明画布依然是最具精神浓度的界面，亦承载着数字洪流中不可被算法简化的心灵震颤。雕塑与装置则成为实体与虚拟博弈的战场。不同材质和媒介的应力转换，随着观者的角度变化和步履频率，将数据中心的逻辑转化为血肉的温度寓言；数字影像带领观众步入由数块碎片构成的模型场域，每一帧率都反射着局部的自我影像——唯有当观者移动至特定角度，无数碎片才在算法调度下聚合为完整景观，数据的引力场便引发绚丽的粒子纠缠，深刻隐喻数字身份在分布式存储中的脆弱与韧性，揭示人机共创中意识交融的奇异景观。新媒体作品如游弋的生灵，揭示数字时代的本体论困境。增强现实技术为每位观众生成专属的“数据影子”,当浮现由自身移动数据构成的发光轨迹时，“可见的孤独”精准刺中现代性核心：我们从未如此紧密相连，却又在数据的海洋中成为彼此的透明人。此种“生灵般的共在”,正是技术代码意识设定的存在语境。欢迎步入《交互的未来》第五季展览现场。彼时，您将不再是被动的观看者，而成为意义的共同创造者与历史的地层塑造者。当手指激活画布中的声音密码，当脚步扰动器物内在的生命气息，当呼吸改变雾气的流向，当与自身的数据影子面面相觑———场关于“我们如何存在”、“我们如何共在”的深刻对话已在纷繁艺术的多元交互中徐徐展开。在技术加速解构人类中心主义的今天，艺术反而成为确认人之价值的最前沿阵地。展厅中的每一件作品都是构成自我与社会景观的微型堡垒，是重建联结的圣殿，更是面向未来的希望种子库。当数字洪流席卷一切，这些鲜活的心灵以创造为舟，载着我们穿越数字迷雾，驶向那个与心跳共振、代码与灵魂同频的应许之地。未来交互的核心密码，正在这永恒不息的双向奔赴中被重新书写一—由每一位在场者共同执笔。
  李木子《8848》0分44秒数码影像
  唐明伟《乱序05》94cm×36cm木板丙烯2024年
  张钊瀛《小剧场N014》30cm×40cm布面油画2021年
  罗威《壮游》300cm×1000cm纸本综合2015年
  潘小荣《模糊城市-2》160cm×180cm布面丙烯2025年
  朱可染《消融的塑像》2 160cm×120cm布面油画2024年
  何启如《翠》180cm×121cm×109cm综合材料
  普鹏《浮生集161-这个春天，没人为你写诗》80cm×100cm布面丙烯2020年
  劳家辉《粘滞》130cm×160cm布面油画2023年
  肖颖《幻像202501》150cm×200cm综合材料绘画2025年
  何沙沙《山峦流衍》200cm×120cm布面丙烯2025年
  高贯一《向王尔德致敬NO.1》138cm×106cm布面丙烯2023年
  王俊远《生根》122cm×122cm×50cm陶瓷、金属2025年
  刘冠辰《折叠空间》120cm×160cm布面油画2024年
  楷茳《林泉破晓》180cmx100cm布面湿壁画2024年
  曾朴《heart25》布面油彩100cm×100cm 2023年
  朱丹《灵魂，梦，心和花园》130cm×160cm布面综合2023年
  李强强《身体NO.7》155cm×120cm布面丙烯2024年
  王青原易艺术工作室《新竹》尺寸可变综合材料2025年
  PREFACE
  When code functions as the electrolyte circulating within our bloodstream,when screens act as neural synapses extending our perception,and when algorithmsinvisibly shape our emotional landscapes and social structures,interaction has longtranscended the boundaries of technology and evolved into a fundamental ecologicalframework of human existence.While we"use"interactive technologies,we aresimultaneously"dwelling"within the future realm they constructIn the fifth season of"The Future of Interaction,"we move beyond the limitationsof one-way artistic expression shaped by technology.Instead,we focus on how artactively responds to,deconstructs,and redefines personal value experiences througha powerful creative voice A group of young artists from across the country—natives ofthe digital civilization—are emerging as the most innovative explorers andpractitioners of this era,equipped with heightened sensitivity and distinctiveexpressive systems.This exhibition operates as a multi-dimensional resonance laboratory,integrating the profound contemplation of easel painting,the material presence ofsculpture,the immersive spatiality of installation art,and the virtual brilliance of newmedia These creators refuse to be passive observers of the technological landscape,instead,they adopt a self-aware approach of"reverse decoding,"actively insertingtheir perspectives into the core of technological systems.Within the domain of easel painting,artists employ pigments as data carriers toconvey poetic narratives.Some works simulate the multiplicity of information layersthrough textured oil paint applications,preserving rhythmic brushwork that conveysemotional depth.Others reinterpret fragmented images sourced from social media,transforming them into intricate collages that capture the ephemerality of digitalmemory.This demonstrates that the canvas remains a medium of intense spiritualconcentration,embodying irreplicable emotional vibrations amidst the algorithmictide.Sculpture and installation have become arenas where the physical and virtualrealms interact dynamically The transformation of materials and media,combinedwith shifts in viewer perspective and movement frequency,translates data logic intoemotionally resonant narratives.Digital imagery guides viewers through fragmentedvisual fields,each frame reflecting a partial self-image Only when the viewer reachesa specific vantage point do these fragments coalesce into a unified whole underalgorithmic orchestration.The gravitational pull of data then triggers a vividentanglement of particles,metaphorically illustrating the fragility and resilience ofdigital identity in distributed environments,while revealing the complex terrain ofconsciousness integration in human-machine collaboration.New media works,akin to living organisms navigating freely,expose theontological challenges of the digital age Augmented reality generates a unique"datashadow"for each participant.As luminous trails composed of personal data emerge,the concept of"visible loneliness"strikes at the heart of modernity:never before havewe been so interconnected,yet simultaneously rendered transparent and isolatedwithin the vast sea of data.This form of"coexistence as living entities"reflects theexistential condition shaped by the consciousness embedded in technological codes.

  END来源|罗湖美术馆

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